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SINDHI MUSIC & INSTRUMENT
SADHU T.L VASWANI
DADA J.P. VASWANI
BHAGAT KANWARRAM
SAI UDEROLAL
SAINT HARIRAM BRAHMCHARI
MAHANT HARNAMDAS
SWAMI DHARAMDAS
BHAGAT WADHURAM SAHEB
SAINT SAROOPDAS
SAI JEEWAT SINGH
BERI-A-WARA-SAINT
BHAI BHAGWANDAS MASAND
SAINT BABA NEBHRAJ
SAI PARUSHAH
SAI VASANSHAH
Music does play an important role in every person's life - music relaxes the person, it provides a soothing edge, refreshes the mind, and above all, music, keeps the personality rhythmic, vibrant and harmonious. It is interesting to know how the Sindhi folk music originated. The earliest material which is available is a single musical instrument and the Dancing deity. The earliest music of the Indus Valley was having only three musical notes. Earthern balls are the oldest musical instruments, which were played by the mouth and fingers like a flute. Earthern balls has been in use in Sind though it was called as Borrindo.
The oldest music of Sind was based on three musical notes. Or contained at the most five notes.Another musical instrument is Narr. Narr is a type of long flute, it too has three to five musical notes. Narr player produces similar notes from his/her throat and so Narr is considered to have priority of time over Borrindo and is earlier in origin.

Similarities
Sindhi music and Spanish music have similarities. The use of the notes of Bhairvin is the distinctive similarity. Seguildilla, Soleares and Fundango have proximity with Sindhi Bhairvin while Companilleros is pure and simple Lorraoo. Lorraoo is a popular mode in the Sindhi music system.
The following instruments Kinora (Kinnor) and Kamanaja, Nay and Diyanai have their counter part in Sind in the form of Keenro (Damboora), Kamacho, Narr (Nay) Beenoon (a double flute) and Shirnai.

Samma, Sooma
Samma and Sooma perios is known for the long tales composed in a descriptive narration in verse. These tales are sung by the charans - Folk poets and Bhats. Dodo and Chanesar and a romantic tale in verse titled Dhol Marni are the works of this period.
Romantic and folk stories like Dodo Chanesar, Dhol Marvi, Umar Marvi, Leela Chanesar and Noori Jam Tamachi belong to Samma and Sooma period.
Classical music
The classical music must have existed in Sind along with local music. But Sindhi music was preserved without obstructing its own traits. This resulted in the preservation of indigenous musical modes for centuries. At the same time foreign trends were imbibed.


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